Category Archives: Writers

Q&A: Reading and Writing with Drew Swanson

Drew Swanson is Professor of History at Wright State University in Dayton, Ohio, where he teaches classes in environmental history, food, 19th-century America, and public history. He received his Ph.D. in History from the University of Georgia in 2010. Born in rural Virginia, he worked as a farmer, zookeeper, and natural resource manager before turning to academia. Dr. Swanson’s research examines the intersections of nature and culture in the American South. He is the author of three books: Beyond the Mountains: Commodifying Appalachian Environments (University of Georgia Press, 2018); A Golden Weed: Tobacco and Environment in the Piedmont South (Yale University Press, 2014); and Remaking Wormsloe Plantation: The Environmental History of a Lowcountry Landscape (University of Georgia Press, 2012), which won the Georgia Historical Society’s Malcolm Bell, Jr. and Muriel Barrow Bell Award for the best book in Georgia history in 2013. Dr. Swanson also won the inaugural John C. Inscoe Award in 2017 for the best article published in the Georgia Historical Quarterly the previous year. He currently serves on the GHQ Board of Editors.   

Drew Swanson, PhD

What first got you interested in history?

Biology, strangely enough.  I majored in biology in college and was working as a naturalist in western North Carolina, and in that job I discovered that the human history of the region fascinated me at least as much as its natural history. When people would point to a tree and ask me what species it was, I would find myself rambling on about how people used to use its bark to dye leather. That realization propelled me back to graduate school and the study of history. I ended up an environmental historian, which fused the two interests.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

I got in trouble in school in the second grade. Once I finished my work I started talking and disturbing others. My teacher began requiring my parents to send me to school with a book that I could read once I completed my assignments, and that got me hooked on the Hardy Boys. From there I turned to science fiction–Isaac Asimov, Orson Scott Card, Ursula K. Le Guin–and then westerns. There’s still a set of the complete works of Zane Grey somewhere in our barn, I’m pretty sure.

And I was voracious, reading at every available moment. I know I looked like the typical sullen tween, with my head down all the time, but it was usually because there was a book hidden under the edge of the desk or table.

What book did you read in grad school that you never want to see again—and what book was most influential?

This is tough.  I’ve got a couple of shelves in my office full of books I never intend to read again! Jacques Derrida is probably brilliant, I’m just not quite smart enough to be certain why.

There were plenty of books to love, though. Two that I regularly return to are Brian Donahue’s The Great Meadow: Farmers and the Land in Colonial Concord (Yale University Press, 2007),and Michael Wayne’s Death of an Overseer: Reopening a Murder Investigation from the Plantation South (Oxford University Press, 2001). Donahue is a brilliant example of how crucial it is to really get to know a place in order to better explain its past, and Wayne’s book reminds me of the value of curiosity and good story telling.  The past is a mystery, and we shouldn’t downplay that.

What’s the last great book you read, fiction or non-fiction?

I read John Kennedy Toole’s A Confederacy of Dunces (LSU Press, 1980)again not too long ago. It always pulls me in, although it is hard to put a finger on exactly why. If I had to guess, I’d say it is the way his caricatures remind me of real people more than most of the “realistic” fiction out there. It’s hard to exaggerate just how quirky humanity is.

For nonfiction, I thoroughly enjoyed Stephen Heyman’s new biography of Louis Bromfield, The Planter of Modern Life: Louis Bromfield and the Seeds of a Food Revolution (Norton, 2020). Partying with Gertrude Stein and Ernest Hemingway in France, hanging around Hollywood with Humphrey Bogart, experimenting with local food and agricultural improvement on his Ohio farm, and, oh yeah, writing some of the most popular novels of the early twentieth century: Bromfield’s life is almost too bizarre to believe, and Heyman tells it well.

When you’re not reading for your particular field of history, what else do you like to read? What genres do you avoid? And what’s your guilty reading pleasure?

I love how-to manuals. Masonry, carpentry, small engine repair, plans for building garden sheds, cookbooks, and the like. I think it’s a form of procrastination—I can read about doing these things rather than actually get up and accomplish something.

I avoid poetry.  It has never made sense to me. (My dad’s a poet, so there may be something psychological involved here.) I deal with 19th-century sources in my work, and it was an age in love with poetry. Every time I strike a poem in a source I’m reading I groan a little inside.

As far as guilty reads go, I love a good detective procedural. The more atmospheric European serials tend to hook me, like the work of John Harvey, Henning Mankell, Tana French, and  and Arnaldur Indridason.

What do you read—in print or online—to stay informed?

I’ve tried to cut down on my news consumption in recent months. The danger of being uninformed seems less than the hazard of being overwhelmed. It’s a trade off, to be sure, but I’m attempting to focus more on what’s going on in my local community. We still get a local newspaper, the quirky but excellent Yellow Springs News (independently owned since 1880!), which is chock full of village shenanigans, combative editorials, and actual locally relevant news stories. Not to mention an infamous weekly police blotter.

Describe your ideal reading experience (when, where, what, how).

Nodding off in the evening to one of those aforementioned detective novels.

What’s your favorite book no one else has heard of?

It would be a stretch to describe it as unknown, but I love Wendell Berry’s essay collection,  Home Economics: Fourteen Essays (North Point, 1987). In his unification of home and work life, philosophy and practicality, Berry appeals to me. This collection tends to be overshadowed by The Unsettling of America: Culture and Agriculture (Sierra Club, 1977) and The Gift of Good Land: Further Essays Cultural and Agricultural (North Point, 1981), but in my mind it is one of his best. And damn, can he write. There’s a power and grace in Berry’s language that I’d love to emulate, but I can’t.

What book or collection of books might people be surprised to find on your shelves?

I have a lot of field guides left over from my previous work.  If you want to identify a mushroom you found in the Pacific Northwest or skim through the Manual of the Vascular Flora of the Carolinas, I have you covered.

How have your reading tastes changed over time?

I have less patience for the sort of jargon I could stomach in graduate school. I’ll stop reading a book that I should probably finish if it is unnecessarily dense. The linguistic gymnastics that once impressed me as signs of insight now just make me wish for a well-told story. Historians lament that general readers so rarely find and read our work, but we’re not doing as much as we could to help them out.

Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

Salmon Rushdie’s The Satanic Verses (Viking, 1989). It seems obligatory, and I’ve been trying to read it for more than ten years. I start it and then always lose the thread.

What book would you recommend for America’s current moment?

It never hurts to read more Flannery O’Connor. She had a remarkable talent for tackling tough, divisive issues in an empathetic way. Race, religion, sex, disability—she wrote about it all in a way that still seems fresh and moving.

I’m also a huge fan of Tiya Miles’s Tales from the Haunted South: Dark Tourism and Memories of Slavery from the Civil War Era (University of North Carolina Press, 2015). It’s a powerful dive into what titillates us about the southern past, and, as O’Connor observes, the truth isn’t always pretty.

And Jon Ronson’s So You’ve Been Publicly Shamed (Riverhead, 2015).  He was a couple of years ahead of the curve on the trouble with cancel culture.

What do you plan to read next?

A lot of agricultural history! I am on a book prize committee for the Agricultural History Society, and a pile of new titles is stacked by my desk. In my reading so far I’ve been really impressed by the excellent recent work in the field. America’s small farmers may be struggling, but historians are doing a great job of explaining how they reached this point.

What is the next book you’re going to write? 

A history of the consumer culture of American hunting since the Civil War. There is an irony at the heart of the project: We like to think we go to the woods to “get away from it all,” but we sure take a lot of stuff with us. I’ve found a pretty fascinating group of characters who helped create this trend, the sort of people we might today be tempted to call “influencers.” I won’t give away too much, but they include an alcoholic ex-librarian holed up in the Great Smoky Mountains, bow hunters chasing lions in Tanzania in Ford Model-T’s, and Ted Nugent. I’m having fun with the process.

When and how do you write?

I do all the things I tell my students not to do: I write in short bursts, I write in the bleachers at my kids’ swim practices, I write with the television on in the background, sometimes I write after I’ve had a beer. It’s a matter of necessity more than preference, but I’ve also discovered that my focus seems sharpest in short blocks of time. If I know that I have 45 minutes to write, I will really bear down. Give me a day set aside to do nothing but write, and I’ll end up staring out the window.

For me the most important thing seems to be to get words on paper, to make steady progress. That keeps me from feeling like I’m falling behind on a project. It also means I spend a lot of time revising and editing, and I’m okay with that.

With which three historic figures, dead or alive, would you like to have dinner?

Anthony Bourdain, Alice Waters, and Donald Link.  I’m taking the “dinner” part of the question seriously.

Q&A: Reading and Writing with Alexander Byrd

Alexander X. Byrd is an Associate Professor of History at Rice University. In 2020 he was appointed Rice’s first Vice Provost for Diversity, Equity, and Inclusion. Dr. Byrd’s area of expertise is Afro America, especially Black life in the Atlantic world and the Jim Crow South. He received his Ph.D. in History from Duke University in 2001. His study of free and forced transatlantic Black migration in the period of the American Revolution, Captives and Voyagers: Black Migrants Across the Eighteenth-Century British Atlantic World (LSU Press, 2010), received the 2009 Wesley-Logan Prize in African Diaspora History. Dr. Byrd teaches courses in African-American history at Rice, where he is a four-time recipient of the George R. Brown Award for Superior Teaching. He is currently co-editing the Oxford Handbook of African American History with Dr. Celia Naylor.

Alexander X. Byrd, PhD

What first got you interested in history?

The first blame must go to good teachers who were also good story tellers. Well-stocked school and public libraries and the librarians who staffed were also at fault. Also, the stories on which I grew up that most sparked my imagination were historical in nature—between Alex Haley’s Roots and NBC’s Ba Ba Black Sheep—that had to have had some effect too.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

As I child in Colorado Springs, I read every book in the school library on World War II. Maybe I missed a few. Still, when I moved to Houston (at about eleven years old), there were no books on the subject at my school or in my branch of the public library that I hadn’t already read. I recall having to re-read The Battle of Britain. By the sixth grade, I was on to Michael Herr’s Dispatches (1977) but by then I was also falling out of reading about war.

What book did you read in grad school that you never want to see again—and what book was most influential?

There are ways in which I’m still wrestling with Melville J. Herskovit’s The Myth of the Negro Past (1941), Sidney Mintz and Richard Price’s The Birth of African American Culture: An Anthropological Approach (1992), and Nathan Huggins’s Black Odyssey: The African-American Ordeal in Slavery (1977). Mary Karasch’s Slave Life in Rio de Janeiro, 1808-1850 (1987), Jan Vansina’s Paths in the Rainforest (1990),and George Brook’s Landlords and Strangers: Ecology, Society, and Trade in Western Africa, 1000-1630 (1993) were also quite influential. Wait, you said one book. There were so many great books! 

What’s the last great book you read, fiction or non-fiction?

I am a fan of Yaa Gyasi’s Homegoing (2016).

When you’re not reading for your particular field of history, what else do you like to read? What genres do you avoid? And what’s your guilty reading pleasure?

Uh oh. Everything I read is related to my work. But I stream with the captions on. So I count that as recreational reading, and lately I’ve leaned toward sci-fi, alternative history, and super heroes on screen: Black LightningRaised by WolvesThe ExpanseThe Man in the High CastleLuke Cage. I should stop answering this question.

What do you read—in print or online—to stay informed?

The AtlanticThe New York TimesThe Washington PostThe New Republic, the Houston Chronicle, and the New York Review of Books. But I still feel terribly under informed and uninformed. Maybe I don’t read the news as carefully as I used to. But I also have this feeling that there is news out there that I can’t find—that there is a universe of online writing that I haven’t and can’t tap into. 

Describe your ideal reading experience (when, where, what, how).

All day in a full house of Byrds with brief stops for espresso, some stretches, sweets, and maybe a pizza. 

What’s your favorite book no one else has heard of?

I assume that I’m always a few years behind everyone else.

What book or collection of books might people be surprised to find on your shelves?

To save the other Byrds from embarrassment, I can’t say. I don’t think that people would suspect, though, that I had Robert Alter’s translations of the Hebrew Bible here and there. 

Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

Writing is hard. I try to be patient with writers. So when I put a book down, it’s usually less out of disappointment and more out of my schedule getting out of hand. There’s a good book barely under my bed, and another on my night stand that I need to return to. 

What book would you recommend for America’s current moment?

This is not a bad time to pick up Cathy Park Hong (Dance Dance Revolution, 2007, and Engine Empire, 2012) and Hanif Abdurraqib (The Crown Ain’t Worth Much, 2016, They Can’t Kill Us Until They Kill Us, 2017, Go Ahead in the Rain: Notes on a Tribe Called Quest, 2019, A Fortune For Your Disaster, 2019). 

What do you plan to read next?

Isabel Wilkerson’s Caste: The Origins of Our Discontents (2020).

What is the next book you’re going to write? 

A story of three Houston schools that speaks to the inequities and promise of public education now. I’ve been writing this book too long (and it’s too short to have taken this long). But I also think that parts of it are pretty good. It’s a book about schools, but to write it, I’ve done more research on parking garages than I ever thought I’d have occasion to do. 

When and how do you write?

Not enough. But I’m learning to fit it in however and whenever I can. It’s taken me too long to learn this lesson.

With which three historic figures, dead or alive, would you like to have dinner?

I never have a good answer to this question. One of the great things about being a historian is that one is forever having dinner, or coffee, or breakfast with historic figures dead or alive.

Q&A: Reading and Writing with Lisa Lindquist Dorr

Lisa Lindquist Dorr is a Professor of History at the University of Alabama and Associate Dean of Social Sciences in the College of Arts and Sciences at the University. She received her Ph.D. from the University of Virginia in 2000. Dr. Dorr is the author of several books on Southern and Women’s history, including A Thousand Thirsty Beaches: Smuggling Alcohol from Cuba to the South During Prohibition (University of North Carolina Press, 2018), and White Women, Rape, and the Power of Race in Virginia, 1900-1960 (UNC Press, 2004).

Lisa Lindquist Dorr, PhD

What first got you interested in history?

When I was five, my parents took me to Colonial Williamsburg.  I was already fascinated by what we called “the olden days” and literally thought that the re-enactors were people still around from 200 years ago.  I remember being so excited that they were still here.  So I think I always was drawn to history, and when I told my childhood friends I was headed to grad school in history, no one was surprised in the least. 

What kind of reader were you as a child? Which childhood books and authors stick with you most?

I read all the time as a kid, or as my mother expressed with much exasperation, I “always had my nose in a book.”  There was even a time when we were spending several days cleaning for a big party that she actually hid my book so I wouldn’t disappear to read.  I read books over and over when I was young; the Little House on the Prairie books, the One-of-a-Kind Family books, Madeleine L’Engle, E.L. Konigsberg, Lois Lenski.  That said, my own children turn up their noses at pretty much anything I suggest.  I just leave books around and let them find them on their own.

What book did you read in grad school that you never want to see again—and what book was most influential?

The book that nearly killed my cohort was Stephen Skowronek’s Building a New American State: The Expansion of National Administrative Capacities, 1877-1920 (Cambridge University Press, 1982). Its cover design should have warned us; no one got paid to put any thought into that cover.  Of course, after I had taught the second half of the US survey a bunch of times, I was a little more appreciative of his contribution.  The most influential book is hard—it varies so much based on what I happen to be interested in at the moment.  But Carol Karlsen’s The Devil in the Shape of a Woman: Witchcraft in Colonial New England (W.W. Norton, 1987) is a contender.  It was a powerful moment when I realized how long it took historians to analyze why most people accused of witchcraft in the colonial period were women.  Astounding.

What’s the last great book you read, fiction or non-fiction?

Anxious People: A Novel by Frederik Backman (Atria, 2020)  I laughed, I cried, I was left gasping and gutted at one revelation late in the novel.  The book has so much warmth and heart, humor and kindness that it was the perfect book for this moment.

When you’re not reading for your particular field of history, what else do you like to read? What genres do you avoid? And what’s your guilty reading pleasure?

I am always reading and listening to fiction—I find I can weed my garden for hours or actually clean the kitchen if I listen to a novel.  I have been keeping a list of books to read since 2013 (it’s now seven pages long, with two columns per page), and have found that I don’t like epic multi-generational sagas or fiction about women in World War II.  I am also wary of fiction related to my area of expertise—too many irritating historical errors.  My guilty pleasure is a regular helping of thrillers.  I consider them the fast food of literature.

What do you read—in print or online—to stay informed?

I am a diligent reader of the New York Times, the Washington Post, the New Yorker online as well as Tuscaloosa’s local paper, the Tuscaloosa News. I am mystified by the idea of getting my news through social media, which I think makes me old.

Describe your ideal reading experience (when, where, what, how).

I like nothing better than to curl up on my couch with a good book, with views of my birdfeeders in the back yard.  And nothing is more indulgent to me than reading a novel for three or four hours in the afternoon; I don’t let myself do it much.

What’s your favorite book no one else has heard of?

Rickie Solinger’s book, The Abortionist: A Woman Against the Law (Free Press, 1995).  It will blow your mind about how common and accepted abortion was well before Roe v. Wade.

What book or collection of books might people be surprised to find on your shelves?

I have several shelves of Young Adult historical fiction.  One of the most satisfying classes I ever taught was for secondary social studies education students on teaching history using historical fiction.  There are so many terrific books out there, and fiction can hook K-12 students in ways textbooks most surely can’t.

How have your reading tastes changed over time?

Since graduate school, I make a distinction between reading for work and reading.  Since I became a dean, I read less for work, which bothers me.  With fiction, when I was younger, I tried to read only “good” books, meaning critically acclaimed novels.  At this point in my life, I rarely want to work hard reading fiction.  I steer away from books described as lyrical or surreal or dreamlike.  I need a plot line I can follow.

When I was in my twenties, I was enthralled by stories of great and overwhelming love, which the protagonist dropped everything to pursue.  Two examples:  Angle of Repose by Wallace Stegner (Doubleday, 1971) and Fair and Tender Ladies by Lee Smith (Putnam, 1988).  When I read those books years later, I found I could no longer relate to dropping everything for love.  There were other loves that competed and outweighed romantic love, especially love for one’s children.  I realized how much where one is in one’s life shapes how we understand the characters in novels.

Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

Again, I have to go to fiction here.  I am much more diligent about reading all that I am supposed to when I read history.  I either mine it for what I need or read it all to consider it as an entire work.  Which novel have I tried to read twice and can’t despite a torrent of accolades?  The Overstory: A Novel, by Richard Power (W.W. Norton, 2018).  Everyone says it is truly a great book, but I find its stories so sad I can’t make myself finish it.

What book would you recommend for America’s current moment?

Something about the importance of thinking about the common good.  But other than that, I would refer you back to Anxious People.

What do you plan to read next?

Patient Zero and the Making of the AIDS Epidemic, by Richard A. McKay (University of Chicago Press, 2017).

What is the next book you’re going to write?

A book on abortion in the South from 1920 to Roe v. Wade. The history of abortion is a good example of how the past is not like people think it was. And my hope is that understanding the past better will help people think a little differently about the present.

When and how do you write?

Juggling scholarship and “deaning” is a challenge.  I have become completely tethered to my email calendar.  There are always small bits of time when I can think productively about research, so I make sure that there are small research tasks I can do when I have 30 or 45 minutes free.  My writing mantra is that you should always do several hours of your own work first, before you get distracted by students or meetings or life. So when I am writing, I write best in the first couple of hours of the day, which I religiously block off on my calendar.  When I feel like I have run out of things to say (or have a meeting approaching), I always leave a few notes about what should come next to make it easier to pick up and get back into the writing flow when I return.

With which three historic figures, dead or alive, would you like to have dinner?

Ella Baker, because I would want to talk with her about organizing and strategy for movements. And the Obamas, because I am really, really sure that if we met, we would all be best friends.

Podcast S4E2: The British Are Coming: Rick Atkinson and the American Revolution

This week Stan interviews Pulitzer Prize-winner Rick Atkinson about the first volume of his new Revolution trilogy, The British Are Coming: The War for America, Volume 1: Lexington to Princeton, 1775-1777.  Rick discusses researching at Windsor Castle, George III’s handwriting, walking the battlefields, Washington’s leadership, and plays “Overated/Underated.” All this plus another edition of the ever-popular This Week in History.

Q&A with Erskine Clarke

The Georgia Historical Society is erecting a new historical marker this fall about the Columbia Theological Seminary, with a series of blog and social media posts scheduled for the week of September 12, 2020. I asked Columbia’s own Erskine Clarke to talk about the Seminary and its history, along with his own history and his thoughts about some of the issues in contemporary America.

Erskine Clarke is Professor Emeritus of American Religious History at Columbia Theological Seminary, where he taught from 1973 to 2008. He graduated from the University of South Carolina in 1963, received a Master of Divinity from Columbia Theological Seminary in 1966, and a PhD from Union Presbyterian Theological Seminary in 1970. Erskine is the author of several books on southern religious history, including Dwelling Place: A Plantation Epic (Yale University Press, 2005), which won the prestigious Bancroft Prize from Columbia University, as well as GHS’s Bell Award for the best book in Georgia history; By the Rivers of Water: A Nineteenth-Century Atlantic Odyssey (Basic Books, 2013), and To Count Our Days: A History of Columbia Theological Seminary (University of South Carolina Press, 2019).

Erskine Clarke, PhD

Tell us a little about your background.

I grew up in South Carolina and in a neighborhood in Columbia where history was in the air. Ancestors and their stories helped to shape our little world, told us who we were, and provided guidance for how we were to live in that white South Carolina world. When I was a teenager, I discovered to my great surprise that all South Carolinians were not white and that these black South Carolinians–who had been moving all around me in my little world–had their own ancestors and stories. Their ancestors and stories challenged the ancestors and stories that I knew, and they began to challenge my little world and my understanding of my place in it.

Two things slowly began to dawn on me—this white world and this black world were deeply intertwined, that each world could not be understood apart from its relationship to the other. And second, I began to realize that I knew almost nothing about this black world that was so fundamental to my own self-knowledge. So early on I began what has been the focus of my work as a historian—probing the relationship between these two Southern worlds and trying to squint hard and look across the great distances that separate me from black Southerners and to catch glimpses in their eyes of the world as they see it and have experienced it.

You have written several books about religion and slavery in the South. What about this topic piqued your interest?

As I began to explore these two overlapping worlds of white and black southerners, it became clear that religion played a huge role in both worlds. And that was particularly true in regard to slavery–the fundamental and foundational experience for both worlds. To understand something of the white southern world in all its complexity and contradictions, I thought it important to probe the ways the religious life of whites was both shaped by and helped to shape slavery. Slavery helped to shape the ways southern whites read the Bible, thought about God, and organized church life. But the religious life of southern whites also helped to shape the ways they struggled with slavery and sought to find some innocence and some relief from the burden of white southern guilt.

At the same time, the religious life of African-American southerners played a large role in their struggles against the deep oppression of their enslavement. Their religious life, in all of its own complexity, reminded them that they were a somebody, not a nobody; that the present social order was not eternal but passing; and that God had a command for white slaveowners—“let my people go!” Once again, the white world and the African-American world overlapped, even as they kept their distinctiveness. And in that overlapping they influenced one another, perhaps especially in congregational life where whites and blacks often worshipped together in surprisingly large numbers.

Similarly, what inspired you to write a book on Columbia Theological Seminary?

Most obviously because I had been professor of US Religious History at Columbia for many years and the seminary had a pressing need for a history that explored in some depth its complicated story. I had long resisted writing such a history because, as I wrote in its Preface, institutional histories can invite a yawn. They are important for specialists and for those with a personal interest in a specific institution, but as a category of historical writing they do not evoke an image of a page-turning narrative. What I found, however, was a story that increasingly fascinated me with Columbia’s distinctive and peculiar character, with the personalities of the major players and their eccentricities, and with the ways its history tells a larger story of the American South and of religion in the United States.

And once again, I was intrigued by the overlapping of a white southern world and an African-American southern world. The second chapter, for example, tells the story of enslaved African Americans whose labors and sorrows and very bodies provided the wealth that made possible an institution of significant influence in the Antebellum South. These enslaved people were not nameless, but men and women with their own histories, their own distinct personalities, and with their own various strategies for resisting the deep oppression of slavery. The way the two worlds overlapped to tell a southern and American story is a major theme through the book.

Why do you think the seminary was first located in Lexington?

The Rev. Thomas Goulding had moved to Oglethorpe County in 1822 to escape from the “miasmas” of the Georgia lowcountry which were believed to cause malaria, or “country fever” as they often called it. The county was being rapidly filled with settlers as a new cotton kingdom was pushing westward, bringing not only whites eager for land and profits but also massive numbers of enslaved people being uprooted from seaboard areas to do the clearing and plowing of land and chopping of cotton. It was a period when theological schools were being established as a Second Great Awakening was sweeping the country and people were joining churches in unprecedented numbers. Theological seminaries—new graduate professional institutions with a full-time faculty, capital funds and a campus, a library, a resident student body, and a three-year curriculum–were the means by which some denominations began to provide churches with an educated clergy. The requirement of a college degree for admission was intended to ensure that theological students had both the philosophical and linguistic background provided by a collegiate education and—not incidentally—the general culture and manners taught in the colleges. Goulding had the necessary Christian experience, educational background, and social graces needed to teach young men wishing to enter the ministry. The Presbyterian Synod of South Carolina and Georgia called him to begin the work of establishing a theological seminary. Five students gathered in the manse in Lexington, and in this way the foundation was laid for the seminary.

Lexington, however, as little more than a village, was not the location needed for what was envisioned. The synod consequently moved the seminary to Columbia, SC, to be near the South Carolina College with its large library and distinguished faculty. A handsome mansion was purchased in Columbia, across the street from the mansion of Wade Hampton, the largest slaveowner in the South, and to it came students from the major colleges and universities in the nation. By the time of the Civil War, it had one of the largest theological libraries in the country. In 1928 the seminary moved to Decatur as a move out of the Old South toward the New Commercial South of a booming Atlanta.

You reference that Columbia Theological Seminary’s leaders sought to follow a middle way on the great intellectual and social issues of the day, including slavery. How did Columbia Theological Seminary stay on a “middle way” while also benefiting from a plantation economy?

Columbia leaders believed that wisdom was found in moderation and prudence, that extremes led to trouble and heresy, and that a middle way was the way of Christian faithfulness and discipleship. They sought a middle way in regard to knowledge, between rationalists and romantics; a middle way in regard to ethics—asking not what does my conscience demand in regard to slavery, but what is my present allotted sphere and task as a white southerner born in the midst of a system of slavery; and a middle way in politics, between those on one extreme or the other, between radical pro-slavery people who said slavery was a positive good, and abolitionists who called for the immediate abolition of an evil system. These “extremists,” these “radicals,” Columbia faculty, students, and board members said, would divide the Union if not checked. What was needed were prudent compromises and a kind and paternalistic attitude toward enslaved African Americans. Slaves should be taught to read and their marriages and families honored and kept together. Columbia’s most famous professor, James Henley Thornwell, even insisted that “it is no part of the essence of Slavery” that the “rights of the slave should be left to the caprice or to the interest of the master.” In this he was challenging the fundamental assumption of the slave-holding South—that masters, and masters alone, had full dominion over the whole body and soul and will of the slave; that masters and masters alone had the right to decide if a slave was to be sold and a family divided; and that masters and masters alone had the right to decide if their slaves could attend religious services.

What Columbia folk never fully acknowledged was the way their moderation and prudence were self-serving. They envisioned a humane, well-ordered, class-stratified society where whites were in charge—especially respectable, well-educated whites—and where blacks stayed in their place of obedient servitude. What they discovered when Lincoln was elected was that they could not stay in a comfortable middle—they had to decide for one side or the other, for slavery or for freedom. They chose the side of slavery and gave themselves, their sons, and much of their wealth to the cause of a slaveholding Confederacy.

Could you elaborate on Columbia Theological Seminary’s impacts on popular debates such as the “Scopes Monkey Trial”?

In 1859 Judge John Perkins of Mississippi, owner of several large plantations and hundreds of slaves, gave Columbia a large endowment for the establishment of the Perkins Professorship of Natural Science in Connection with Revelation. The seminary board and faculty were enthusiastic about the new professorship because they believed reason and revelation, science and the Bible, corroborated one another. The board called Dr. James Woodrow to the professorship. He had received his scientific training and PhD summa cum laude from the University of Heidelberg, Germany, and was an expert in analytical and synthetic chemistry. He was later to be elected to major scientific societies in Europe and to membership in the American Association for the Advancement of Science. The same year Woodrow came as a professor to Columbia, Charles Darwin published his On the Origin of  Species.

Forty years before the famous Scopes Monkey Trial in Dayton, Tennessee, an intellectually rigorous debate broke out on the Columbia campus in the 1880s over Woodrow’s teaching in regard to evolution and over the concept of development not only in biology but also in human culture—including religion. What was at stake, however, was not only questions of religion and science. Those who attacked Woodrow were trying to defend a remembered southern white culture and society. A literal interpretation of the Bible had long been used to try and keep black southerners “in their place.” To call that biblical interpretation into question appeared to call into question the foundations of white southern society. Woodrow was eventually forced out of the seminary—he went down the street to become president of the University of South Carolina. But he was later honored by the church and made moderator of the synod. And he was remembered for his struggle for academic freedom. In 1961 Clement Eaton, in his presidential address before the Southern Historical Society, reviewed the Woodrow controversy. He ended his address: “In the attainment of the large measure of freedom of teaching which we enjoy, the subject of my paper, James Woodrow, played a significant and triumphant role.” Eaton saluted Woodrow’s memory and, thinking no doubt of the controversies and pressures swirling around the Civil Rights Movement, he hoped that any professor in those tumultuous times who faced a similar crisis of academic freedom would display Woodrow’s “great moral courage.”

If you had to narrow it down to one fact about the history of Columbia Theological Seminary, what would you like your readers to come away with?

The story of Columbia Seminary is like a line running through the history of the South since the 1830s and in many ways through the larger story of US society. Slavery, the Civil War, Reconstruction, the New Commercial South, the Civil Rights Movement, the growing affluence and international character of Atlanta, and a new demographic and cultural diversity—all are reflected in the story of Columbia. And what the Columbia story also tells is how people of Christian faith interpreted this larger southern and national story and acted within it. Columbia’s story has been a struggle to know the truth and to do what was right and just. Deep within that story are reminders of how good intentions can so often go astray. But also deep within that story is a community’s confession and belief that God is not through with them yet and that out of even a flawed and troubled history, by God’s grace, good can come.

What are your thoughts on the contemporary efforts for our society to come to terms with racism in America? Specifically, what do you think Columbia Theological Seminary should do, if anything, to come to terms with its own history of racism?

The Columbia story is one in which it becomes clear how deeply racist assumptions are embedded in the larger story of the nation. Even people of good intentions, people of a genuine spirituality and a desire to do what is right, even they as white Americans have supported and been a part of white America’s determined effort to keep “blacks in their place.” The realization about the depth and systemic character of the harsh racism in American has come as a shock to most of us who are white. We are having to ask ourselves, “Whom, what, do I see when I see an African American—perhaps especially a young black male?” And that hard question invites serious introspection and honest confession. It is in many ways a profoundly religious question and a question that can lead to conversion, to a struggle to see the world in new ways and to act in new ways that support the building of what Martin Luther King called “the beloved community.”

Columbia Seminary has been struggling to name and address the racism in its history and in its long-standing character. Along with intentional and focused discussions of racism and racist assumptions on the campus, the seminary has taken some concrete steps lead by African Americans who are now in key leadership roles at Columbia—including the Vice President for Academic Affairs, the Dean of Students, and the Dean of Advanced Studies. This year a new building was named in honor of the first tenured African-American professor. And perhaps most significantly, the seminary now offers free tuition to all of its African-American students as Columbia remembers and attempts to repay at least in part the many African Americans whose labors and sorrows provided the wealth that established and sustained the institution.

Any thoughts on the historical marker placed in Lexington?

I am, of course, delighted that the Georgia Historical Society has placed the historical marker in Lexington. Many in that community have worked hard to make a handsome museum of the old manse where Thomas Goulding held the first classes for the seminary. Like other historical markers around the state, this one will encourage those passing by to stop and to read and to wonder about those who had once called this place home.