Category Archives: Books

Silence is Consent

Volker Ullrich, Hitler: Downfall, 1939-1945 (Alfred A. Knopf, 2020, 838 pp.).

The first podcast that I ever recorded in this space, back in August 2017, reviewed the first volume of this fascinating biography of the Nazi Führer, Ascent: 1889-1939. Volume 2 followed here in the States in 2020, and I’ve just completed it. These 2 volumes are a worthy successor to the monumental biographies of Hitler by Ian Kershaw (2 volumes, 1998 & 2000), John Toland (2 volumes, 1976), Joachim Fest (1973), and Alan Bullock (1962).

Ullrich, the author, is German, born there in 1943 during the war, and it’s this nativity that gives his unsparing criticism of Hitler and his followers a moral weight it might otherwise lack. There is no trimming, no faint praise of the Nazis for making the trains run on time, no points for restoring German national morale after the devastation of the Great War—there is nothing here but unflinching critical analysis of the most heinous crimes ever carried out under the authority of government, all while focusing like a laser on the man from whose brain it all sprung.

This blog is not a full-on review of this book, simply a whole-hearted endorsement of it for anyone who wants to understand how the most evil regime in history came to power, held onto it for 12 years while demonizing Jews and other minorities, waged brutal and genocidal war, and then was utterly destroyed by the combined Allied might of the world’s leading democratic and communist regimes.

It is of course a story of unimaginable horror, but Ullrich’s real gift is helping us to see Hitler and his fellow Nazis as people, not as monsters.

This is important because, as he points out in the first volume, if they were in fact monsters then everything they did would be explainable. The fact is, they were flesh-and-blood human beings, which demands of good historians that they explain how the Nazis came to power with all their sociopathic and full-throated hatred for Jews, Eastern Europeans, and communists in full view. There were no secrets about what they intended to do. They then led one of the most cultured societies in Europe—not against its will, according to Ullrich—down the path of total war and ethnic annihilation, at the cost of hundreds of millions of lives.

To do all this is no easy task, but Ullrich pulls it off. Even as we already know the outcome, it is still a riveting story. Across 600+ pages of text we witness the invasion of Poland and the beginning of World War II, the air war with Britain, the fall of Paris, the titanic struggle with the Soviet Union, the enslavement and butchery of millions on the Eastern front, the Allied landing and the liberation of Europe, and the ongoing and horrific Final Solution. Through it all, Ullrich “normalizes” Hitler and in the process makes him seem more inhuman than ever, Still, as he writes, “there will always be aspects of Hitler we cannot explain.”

No matter how many books, documentaries, and films are produced about them, the story of Adolf Hitler and the National Socialists will remain a repelling and fascinating part of our history of which we can’t get enough. It is a subject that is both timely and bottomless. As Ullrich wrote in Volume 1, there will never be a “definitive” biography of Hitler because “people will never stop pondering this mysterious, calamitous figure. Every generation must come to terms with Hitler.”

As another German historian, Eberhard Jäckel wrote, “We Germans were liberated from Hitler, but we’ll never shake him off. Hitler will always be with us, with those who survived, those who came afterwards and even those yet to be born. He is present—not as a living figure, but as an eternal cautionary monument to what human beings are capable of.”

Adolf Hitler and the Nazis came to power 90 years ago this week, on January 30, 1933. The world is still coming to grips with the horrors of the Third Reich, even as anti-Semitism and authoritarianism are both again on the rise.

It is a stark warning to all of us that, though Hitler and his regime may be gone, their legacy and influence are not. Right now, there are those seeking power by demonizing other people and feeding the worst instincts to hate and fear other human beings. Hitler reminds us, as Ullrich concludes, “how thin the mantle separating civilization and barbarism actually is.”

We stand by and say nothing at our peril.

Podcast S6E1: Star Trek, Horrifying Cliches, & Goodbye Georgy Girl

This week Stan looks back at one of the most popular TV shows ever, a Mad magazine cartoonist who left his mark on the holidays, a critical day in the American Civil War, a milestone birthday of a legendary football coach, one of the most momentous days in Olympic history, Travis McGee novels, and much more.

The Freshest Advices

Item: In this column on September 24 I noted that a very rare original copy of the US Constitution was coming up for auction at Sotheby’s and that it would likely sell for $20 million. Those estimates were wrong by half. As GHS President Dr. Todd Groce noted in the AJC, the document sold for an astounding and record-setting $43.2 million. GHS owns a draft copy of the Constitution, one of only 12 in existence, that is annotated and signed by Georgia delegate Abraham Baldwin. The copy at auction was bought by hedge fund manager Kenneth Griffin, who will lend the document to the Crystal Bridges Museum of American Art in Bentonville, Arkansas, for public exhibition. The museum, founded by Alice Walton, the daughter of Walmart founder Sam Walton, opened in 2011. And in case you were wondering, Bill Gates set the previous auction record for a book or manuscript in 1994 when he purchased the Codex Leicester by Leonardo da Vinci at Christie’s for $30.8 million.

Item: As you no doubt heard, the Georgia Bulldogs—thanks to their undefeated regular season—have made the College Football Playoff for the second time, despite losing to Alabama in the SEC Championship in Atlanta on December 4. Yes, we all hoped this might be the year we finally beat Nick Satan and his Crimson Tide, but there’s no denying that Bama’s had Georgia’s number for a while now—seven straight losses since the last Georgia win in the series 14 years ago in 2007.

Who can blame Dog fans for thinking this was the year? Bama had looked positively human against all its SEC foes, scraping out wins over Arkansas, LSU, and Florida, taking four overtimes to beat Auburn (on the same field where Georgia crushed the Tigers), while actually losing to Texas A&M. In the week leading up to the game, the press in typical fashion dished out what Bama coach Nick Saban calls “rat poison”—hyping Georgia’s defense, yammering about Bama’s porous offensive line, even the threat that Georgia’s Jordan Davis might eat Bama QB Bryce Young like a Varsity chili dog. None of that happened. Georgia’s defense received a good-ol-fashioned butt whipping, Young looked like the Heisman Trophy winner he is, and overall Bama played like the New England Patriots.

One could legitimately ask, where had this Bama team been all season long? Which is the real Crimson Tide: the one that played with razor-thin margins all season, or the Super Bowl champs who dominated in Atlanta? Looming over it all is this: should Georgia get by Michigan in the Orange Bowl, and Bama beats Cincinnati in the Cotton, the two teams will meet yet again for a national championship. Could Bama really do that to us again? Surely, they can’t channel the Patriots twice in one season. Can they? All I can say is, no one of sane mind should ever underestimate Satan and the Tide. The question of the year: how much misery can Georgia fans be expected to endure in one single season? I don’t know about you, but maybe this is the year to record the game and sign up for that New Year’s Eve pinochle tournament down at the Mason’s lodge.

Item: December is upon us, and at some point this month you’re bound to hear Andy Williams’s classic Christmas song, “It’s the Most Wonderful Time of the Year.” Williams recorded the song, written in triple time, on September 10, 1963, and released it on his Christmas album that October. It has become a seasonal staple and has been enormously popular since its first release 58 years ago, appearing in commercials, movies, and TV shows, including in the trailer for the new Disney/Marvel series Hawkeye. But here’s the interesting part to me–the song was co-written by George Wyle, who also co-wrote the theme song to Gilligan’s Island. How’d you like to have those royalty checks? By the way, Wyle’s grandson, Aaron Levy, plays in Norah Jones’s band. Now you know.

Item: December means Dickens, and this year I’m reading the first book he ever published, Sketches by Boz: Illustrative of Every-Day Life and Every-Day People. Pre-dating Dickens’s first novel, The Pickwick Papers, Sketches is a collection of short essays that Boz (Dickens’s nickname) published in various newspapers and magazines between 1833 and 1836, when he was ages 21 to 24. I’m reading the Oxford Illustrated Dickens edition with illustrations by George Cruikshank, first published in February and August 1836. It’s still astonishing to me that anyone could write with this level of maturity and insight into the human condition at the equivalent age of a freshly minted college graduate. Though it lacks the appeal of a full-fledged Dickens novel, there are still some vintage Dickensian character sketches here. You can see him limbering up, stretching himself for the great novels to come.

Item:  Speaking of Dickens, as the Season is upon us, if you’ve not seen the 1984 film version of A Christmas Carol, starring George C. Scott, check it out. It’s the best of all the theatrical versions of the Dickens classic, from the location setting in Shrewsbury to the perfect casting, right down to Old Fezziwig. Frank Finlay’s Marley is the best you’ll ever see, though Edward Woodward’s (of The Equalizer fame) Ghost of Christmas Present is a strong runner-up. David Warner as Bob Cratchit, Roger Rees as Scrooge’s nephew, and Angela Pleasence as the Ghost of Christmas Past top off a stellar cast. And for good measure, director Clive Donner worked on the 1951 rendition, Scrooge. Now you know that too.

Item: Speaking of A Christmas Carol, fans of audio books who want to experience the original 1843 novella in a new way should check out the versions read by Simon Prebble (whose father, historian John Prebble, authored the famous Fire and Sword Trilogy of Scottish history) and the version narrated by Dr. Frank-n-Furter himself, Tim Curry.

Item: Speaking of Old Fezziwig—and this will be the last Dickens reference in this post—if you’re a fan of great seasonal Christmas brews, you’ll be happy to hear that Sam Adams has brought back in its holiday pack both Holiday Porter (“inspired by the famous drink of London’s Victorian era luggage porters. Brewed with generous portions of Caramel, Munich and Chocolate malt, this hearty porter finishes with traditional English Fuggles and East Kent Goldings”) and—joy to the world—Old Fezziwig Ale (“Like the character that inspired it, this beer is festive and worthy of a celebration all its own. Bursting with spices of the season, its full body accompanies a deep malt character, with notes of sweet toffee and rich, dark caramel”). Old Fezziwig was missing from last year’s holiday pack, turning festive ale lovers everywhere into small-hearted grumpy grinches who refused to bang their slew-slunkers. And no, I’m not getting paid to write this, nor is Sam Adams a sponsor of this blog, but I and they should be.

Hoist a glass and enjoy the holidays. See you in 2022.

The Freshest Advices

Item: After every election, those displeased with the outcome often threaten to “move to Canada” or to secede or otherwise withdraw from American life. I thought about that when I recently began re-reading Edmund Morgan’s classic The Puritan Dilemma: The Story of John Winthrop. I first read this book as an undergraduate in Phinizy Spalding’s Colonial American history class at UGA, and at that time I didn’t understand at least half of it. As I’ve mentioned before, I am now periodically re-reading some of the classics from grad school in order to do justice to books that got short shrift then. Morgan’s book was first published by Little, Brown, & Company in 1958 and is part of the “Library of American Biography” series.

The Puritans got their name, of course, because of their desire to purify the Anglican Church in England, and like many reformers on a mission, they could be a rather single-minded, driven, uncompromising bunch. This increasingly put them on a collision course with King James I and his son Charles I, as their demands for reform became increasingly outspoken. John Winthrop and many of his fellow Puritans could see the writing on the wall, and instead of remaining and taking part in what eventually became the English Revolution, they formed the Massachusetts Bay Company and in 1630 separated themselves from the home country by 3,000 miles.

The dilemma in the book’s title is the story of what happens when a Godly community decides to live in the world without being of the world—and the tension between the freedom of the individual and the responsibility that government has for maintaining order (reminiscent of our current controversy over vaccine mandates). Should the discontented leave and follow their own vision somewhere else, or stay and either come to terms with the status quo or tear down the system? Winthrop and his band of Puritans left to start anew, but he ended up with his own share of malcontents to deal with like Roger Williams and Anne Hutchinson. Uncompromising purity or pragmatic compromise? Winthrop didn’t figure it out, and neither have we almost 400 years later.

Item: If you’re a fan of ZZ Top and haven’t seen it, check out the 2019 documentary “ZZ Top: That Little ‘Ol Band From Texas,” on Netflix. It’s a fascinating look at how a Texas rock band rooted in the blues transitioned to become instantly recognizable cultural icons—with the help of those MTV videos—after the release of Eliminator in 1983. The beards, the cars, and the music are all here in this retrospective nominated for a Grammy for Best Music Film. Despite the death of bassist Dusty Hill in July of this year, ZZ Top is still Bad, and Nationwide.

Item: Lots of good new history and biography being published this holiday season. In no particular order, here are some of the books I’m looking forward to reading:

Fernando Cervantes, Conquistadores: A New History of Spanish Discovery and Conquest (Viking, 2021)

Gordon S. Wood, Power and Liberty: Constitutionalism in the American Revolution (Oxford, 2021)

Peter Ackroyd, Innovation: The History of England, Volume 6 (St. Martin’s, 2021)

Jay Cost, James Madison: America’s First Politician (Basic Books, 2021)

Dan Jones, Powers and Thrones: A New History of the Middle Ages (Viking, 2021)

Adrian Tinniswood, Noble Ambitions: The Fall and Rise of the English Country House after World War II (Basic Books, 2021)

James M. Banner, Jr., The Ever-Changing Past: Why All History is Revisionist History (Yale, 2021)

Volker Ullrich, Eight Days in May: The Final Collapse of the Third Reich (Liveright, 2021)

Ronald Hutton, The Making of Oliver Cromwell (Yale, 2021)

Neil Price, Children of Ash and Elm: A History of the Vikings (Basic Books, 2020)

Andrew Roberts, The Last King of America: The Misunderstood Reign of George III (Viking, 2021)

Item: I’m a huge fan of audiobooks and have listened to several good ones this fall. Being the season of darker days, I always like to hear a good rendition of Washington Irving’s “The Legend of Sleepy Hollow.” Three that I would recommend are those read by Martin Jarvis (great production, reminiscent of the old radio dramas), Anthony Heald (no frills, just great narration), and Tom Mison (if you enjoy a British accent).

For those working hard to grow old gracefully, you’ll enjoy listening to Dick Van Dyke’s Keep Moving, and Other Tips and Truths About Aging, narrated by Rob Petrie himself. Van Dyke wrote this book when he was 89; he’s about to celebrate his 96th birthday and is still going strong, winner of five Emmys, a Tony, a Grammy, and recent Kennedy Center honoree.  

Dumas Malone’s 6-volume biography of Thomas Jefferson, Jefferson and His Time, was a joy to read, and equally brilliant is Anna Fields’ narration of all 6 volumes. Fields was the pseudonym for Kate Fleming, an award-winning actress, artist, singer, audiobook narrator and producer who died tragically in a flash flood at her Seattle, Washington, home in 2006 at age 41. Her production of this classic biography is a lasting legacy for one of the best audio narrators of all time.

Item: Long-suffering readers of this blog know I love scary stories at this time of year. I recently read The Casebook of Carnacki by William Hope Hodgson. Carnacki is a contemporary of Sherlock Holmes, created at the turn of the 20th century at the same time that many writers were trying to cash in on the consulting detective craze set off by Arthur Conan Doyle. Whereas Holmes never ventured into the realm of ghosts and goblins (with the notable exception of The Hound of the Baskervilles), Carnacki specializes in tracking down things that go bump in the night. Sometimes the hauntings have supernatural origins and sometimes not, but they all create an appropriate mood and are great fun. This series of stories was first published between 1910 and 1912 in Edwardian-era magazines before being pulled together for book publication under this title in 1913. They all follow the same formula: Carnacki has four friends over for dinner, after which they retire to the library for brandy and cigars while Carnacki tells the story of his various adventures, with titles like “The Thing Invisible,” “The Gateway of the Monster,” “The House Among the Laurels,” and “The Whistling Room.” Hodgson only wrote nine of these stories before his death at the Ypres salient in World War I on April 19, 1918, at the too-young age of 40. Happily, the Carnacki stories are back in print as part of the “Tales of Mystery & the Supernatural” series published by Wordsworth Editions. Check it out.

Till next time—and Happy Thanksgiving.

Q&A: Reading and Writing with Michael Van Wagenen

Dr. Michael Scott Van Wagenen is associate professor and public history coordinator at Georgia Southern University. He is the author of the award-winning, Library Journal best seller Remembering the Forgotten War: The Enduring Legacies of the U.S.-Mexican War (University of Massachusetts, 2012), The Texas Republic and the Mormon Kingdom of God (Texas A&M, 2002), as well as several articles and book chapters. He is also co-editor with W. Paul Reeve of Between Pulpit and Pew: The Supernatural World in Mormon History and Folklore (Utah State University, 2011). In the past 30 years, he has written, produced, directed, and/or edited over 20 documentary films. His work has twice won highest honors at the National Education Film and Video Festival and been screened at the American Museum of Natural History, the Smithsonian National Museum of Natural History, Margaret Mead Ethnographic Film Festival, Chicago Latino Film Festival, and several other venues. Dr. Van Wagenen received his BA from Brigham Young University, an MAIS from the University of Texas at Brownsville, and his PhD from the University of Utah.

What first got you interested in history?

When I was very young my grandfather would tell me stories about his experiences as a Navy officer in the Pacific during World War II. That definitely sparked an awareness in me that there was this adventurous place called “the past” that you could visit through stories, books, museums, and films.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

The first book I read was an “abridged for young readers” edition of Robinson Crusoe. I was in first grade and binged it all in a day. I was hooked on historical fiction and non-fiction after that.

What book did you read in grad school that you never want to see again—and what book was most influential?

I studied folklore to enhance my understanding of history and really struggled with Roland Barthes’ Mythologies (1957). I’m sure it was me, not him. On the other side of things was Michael Kammen’s Mystic Chords of Memory: The Transformation of Tradition in American Culture (1991). I couldn’t put that book down, and it really inspired my interest in the theories of collective memory.

What’s the last great book you read, fiction or non-fiction?

It’s a bit of a local cliché, but I finally got around to reading John Berendt’s Midnight in the Garden of Good and Evil this summer. I loved it—much better than the film.

You’re a documentary filmmaker: what movies and documentaries most inspired you when you were young? What filmmakers?

I don’t really remember watching documentaries as a kid. I watched a lot of old war movies and historical dramas on television: The Thin Red Line, Beau Geste, and Nicholas and Alexandra come immediately to mind. I also loved the satirical war television series F-Troop and Hogan’s Heroes. As far as filmmakers go, the first director I can remember being aware of was Akira Kurosawa. In high school in Los Angeles, I would go to the art house theaters to watch his films. Toshiro Mifune was my original action hero.

When you’re not reading for your particular field of history, what else do you like to read? What genres do you avoid? And what’s your guilty reading pleasure?

I am a complete sucker for a beautifully illustrated coffee table book. I have my own large collection of folk art books that I read and reread—my guilty pleasure, I suppose. As far as what I avoid: definitely self-help/motivational. Anyone who thinks they have the answer likely doesn’t.

What do you read—in print or online—to stay informed?

I consume it all, from left to right. I like to make my own decisions about things after I have read or listened to as many perspectives as I can. As you can guess, my politics are confusing to most people.

Describe your ideal reading experience (when, where, what, how).

As a kid I visited my grandparents who were staying on a secluded part of the California coast. We were hit by a big storm with lots of wind, rain, and pounding waves for a couple of days. There was no television or radio—just a blanket, a lamp, and a stack of pulp westerns to read. I know I’ve romanticized that moment, and I have tried to recreate that environment over and over with no success. Hurricane season is not through yet this year, so who knows?

What’s your favorite book no one else has heard of?

The Giant Joshua by Maurine Whipple (1941) is a historical fiction novel about Mormon polygamy in the mid 1800s. While it made a modest literary splash when it came out in 1941, it is largely forgotten today.

What book or collection of books might people be surprised to find on your shelves?

I have a small collection of books about UFOs. I was raised during the new-age UFO revival of the 1970s, so that shaped my childhood. I have actually published on historical UFOs and will likely develop a class on them. My approach to UFOs is similar to that of Carl Jung, who viewed them as another way to interpret the values and beliefs of a people.

How have your reading tastes changed over time?

Sadly, less MAD Magazine.

Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

Grasshopper Jungle (by Andrew Smith, 2014). I like a good young adult fiction book, and this one was widely praised and loved. I guess my own childhood was too urban, too undersexed, too lacking in actual alien encounters for me to connect with it.

What book would you recommend for America’s current moment?

Don’t Bite Your Friends by Lisa Rao (2009).

What do you plan to read next?

My daughter is a professional writer, and she just sent me her latest manuscript. I’m thrilled to be diving into that one!

What is the next book or article you’re going to write?

I am putting the finishing touches on an article titled “Mormons, Memory, and the Mexican War: The Role of Mormon Battalion Commemoration in the Formation of Latter-day Saint Identity, 1921 – 2021.” I use as a case study the United States’ only religiously segregated military unit to explore how collective memory and identity are constantly evolving to serve a number of social, political, and religious agendas. What’s next after that? I am writing an article about a Mexican folk art particular to the Otomí people of central Mexico. Between the early nineteenth and early-twentieth centuries they created a particular style of crucifix, called a cruz de ánimas, that they venerated to end their ancestors’ suffering in purgatory. These artifacts serve as a preliterate genealogical pedigree, and very little has been written about them.

When and how do you write?

Mornings and nights are best for me. There are too many distractions during the day. I am one of those people who need large blocks of time to find my focus.

With which three historic figures, dead or alive, would you like to have dinner?

I have three immigrant ancestors: one Dutch from the 1600s, one Irish from the 1700s, and one Scottish from the 1800s, who I would love to meet. I would cook Tex-Mex food and ask them so many questions that they would be begging to crawl back into their graves!